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    B Y L I N E     T I P S      Newsletter         1.9
    Tuesday, June 27, 2000

    [ Byline Tips Home ]
     
     ************************************************

     B Y L I N E   T I P S

     FreelanceWorkshop.com's Bi-Monthly Newsletter 
     for Writers Seeking Publication
     http://www.freelanceworkshop.com

     (All are welcome to print and redistribute 
     this newsletter provided proper credit is given)

     Issue.1.9     June 27, 2000 ISSN 1529-3920

     A service of:
     THE ONLINE MAGAZINE ARTICLE WRITING WORKSHOP

     Part of the Net since 17 April 97

     Online Newsletter Address:
     http://www.freelanceworkshop.com/byline-tips/
     issues/1.9.htm

     *********************************************************

     This issue brought to you by:

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     http://www.drbrownstein.com

     For Individuals Who Want to Improve Their Health Through Holistic 
     Medical Breakthroughs Monitored by  David Brownstein, M.D. Author of,  
     "The Miracle of Natural Hormones." 

     Tell ‘em you heard about it on FreelanceWorkshop.com

     *********************************************************

     Table of Contents (ISSN 1529-3920) 
     Byline Tips, Tuesday, June 27, 2000 

     Byline Tips is published twice-a-month on Tuesdays, except during weeks 
     in which there is a national U.S. holiday.

     Issue 1.9 

     (Serving Over 500 Readers) 

     Contacting FreelanceWorkshop.com:  

     Writing News Fax: 248-661-2479   
     Advertising Inquiries: info@freelanceworkshop.com  

     1. UP FRONT: How to on Photos
     2. Enter Your E-Mail to Win ½ Dozen Pens!
     3. Free Database Listing Sets Your Writing Apart
     4. Drew’s Movie Reviews, 06/27/00
        -- Shaft, *** (3 Stars)
        -- Chicken Run, *** ½ (3 ½ Stars)
        -- Me, Myself, and Irene, ***** (5 Stars)
        -- Bossa Nova, *** (3 Stars)

     *********************************************************

     1. UP FRONT: How to on Photos

     Reprinted from Writing for Publication Video 
     hosted by Erik Bean

     EB WORKSHOP = Erik Bean speaking live at an 
     Ann Arbor freelance workshop. 

     EB NARRATING = Erik Bean narrating from inside the 
     Freelance Workshop Website. 

     EB NARRATING: One need not be a professional photographer to take 
     practical or dynamic vivid pictures for publication.  Today, there are a 
     wide-variety of inexpensive brand name 35mm automatic cameras from which to select.  Most of the popular brands offer reliable full-featured 
     models starting just under $100.  

     It's important, however, to select a camera advertised as auto-focus 
     rather than focus-free.  The auto-focus models send an infrared beam to 
     the subject then back to the camera.  This allows for sharper pictures 
     in most instances, particularly when shooting a cameo.  The focus-free 
     models do not contain the infrared feature and usually lack the 
     following additional recommended features:

  •  Lithium Battery 
    (Lasts hours longer than standard cells.)  
  • 35 to 70mm Zoom Lens  
  • Red Eye Reduction 
  • One Touch Macro (For close-up shots.)  
  • Double Exposure Setting  
  • Auto load/Auto rewind 
  •  Again, there are many cameras available that contain these features just 
     under $100.  Each should provide years of trouble-free service and you 
     will likely recoup the costs after the sale of your first article.  

     Magazines usually prefer standard 35mm color or black and white prints. 
     Some, however, require color slides dubbed transparencies, for higher 
     resolution.  And online magazines may accept electronic photos taken 
     with a more expensive digital camera or traditional prints scanned and 
     converted to the popular JPEG format.  Always consult the guidelines for 
     specific photographic requirements.  Occasionally, a magazine will 
     furnish its own stock prints or rare photos from a private collection.  

     In addition, if a particular magazine is laid out such that a whole page 
     is a photographic image, you may want to consult or work with a 
     professional photographer.  If this is the case, it is likely selling 
     the article depends more on the quality of photographic images than the 
     accompanying article.  

     EB WORKSHOP: How do you work with somebody who draws a cartoon (or provides a photograph) that accompanies your story?  Basically, the way that I like to work it, is I like to have them work for me.  In other 
     words, if I need somebody to draw a cartoon to accompany a story because they (publishers) require a cartoon (photograph) or an illustration, 
     I'll simply go to a cartoonist (photographer) and say, this is what my 
     story is about, here's the kind of illustration I need, and I'll give 
     you a certain percentage out of the money that I make.  

     If it's a $200 article, how about I give you $25 or $40 dollars for one 
     cartoon or illustration, or two photographs.  Some people might be 
     insulted, they might not think that is a great deal of money.  But you 
     might want to explain to them that they are a very good photographer, 
     and this is a good chance for them to get a byline, too!  Because 
     photographers and illustrators get bylines in articles as well.  

     EB NARRATING: The cutline is a description summarizing the major message contained in a photograph and must be supplied by the author.  Usually no more than a sentence or two, the end of the cutline should denote a byline of the individual who took the photograph.  Whether you are including one or many photos, each should be accompanied by a numbered cutline corresponding to the same number placed as text at the end of your article.  For example:  

     Cutlines:  

     1. Dr. Alfred B. Swanson, a renowned orthopedic surgeon, is the founder 
     of the International Trees Corps. Photo by Erik Bean.  

     2. It will take hundreds of years before this clear-cut section of the 
     rainforest is as heavily treed as it once was. Photo by Michael G. 
     Knape.  

     Using labels designed for a standard laser printer, authors should 
     imprint the corresponding cutline number along with the copyright 
     symbol, year the photo was taken, as well as the name and address of the photographer.  When submitting transparencies, you will not have room 
     for an address, so a telephone number should be substituted.  For 
     example: 

     When a prospective editor sees a particular photograph, he or she will 
     easily be able to refer to the cutline contained on the last page of 
     your manuscript.  And since the editor has your address or telephone 
     number he or she can contact you if there are any additional questions 
     or in the event the material is misplaced and found several weeks or 
     months later.  Stay tuned for a complete rundown on the manuscript 
     submittal process when we complete this segment.  

     EB WORKSHOP: Everyone in this room who wants to write an article and get it published will probably be submitting an article to a publication 
     that is going to require a photograph or illustration. And you will be 
     responsible to write the cutline.  

     Actually, the photograph helps sell the article.  All this helps sell 
     the package, it helps demonstrate you've done the critical thinking 
     needed to make this piece effective. You're joining the article and the 
     photographs together as one -- one statement you're trying to get 
     across.  That's why you want to be able to submit the illustration or 
     photograph.  That's why you want to be able to develop what the captions 
     are, and you will be doing that. 

     *********************************************************

     2. Enter Your E-Mail to Win ½ Dozen Pens!

     FreelanceWorkshop.com is now offering six twist and write pens featuring 
     its Website logo and you could be the lucky monthly winner.  It’s as 
     easy as 1, 2, 3.  Just enter your name, e-mail address and answer one 
     simple question at this URL:

     http://www.freelanceworkshop.com/contest.htm

     *********************************************************

     3. Free Database Listing Sets Your Writing Apart

     http://www.freelanceworkshop.com/web-db/GenericList.asp

     Welcome to FreelanceWorkshop's FREE Writer Exchange Public Database! Here you can meet writers who have similar subject interests. Form Internet critiquing groups or groups that physically meet in your 
     geographical area. If you are a current FreelanceWorkshop.com 
     participant or alumnus, please include your start date. All writers who 
     post will receive an e-mail asking them to varify their listing. If you 
     want to add to your information later, just post a new listing.  

     If you do not have your own webpage and would like a free one to post 
     more authorship detail or pictures, contact us and we will provide you 
     with your own web address at no cost. All listings posted without YOUR 
     permission will be removed. All entries MUST include a valid e-mail 
     address. All other fields are optional. Reach out and meet new writers 
     today! 

     For more information: 

     info@freelanceworkshop.com

     *********************************************************

     4. DREW’S MOVIE REVIEWS, 06/27/00
        (***** 5 Stars is Best Rating)

     Drew's Movie Reviews (FREE Bonus).  In addition to useful suggestions 
     about writing for publication on and offline, Byline Tips also features 
     Drew's Movie Reviews!  Drew is an independent reviewer of the latest 
     movies!  We know your passion is writing, but who doesn't go to the 
     movies?  With increasing ticket costs, you'll be better prepared to go 
     or just stay home and write!
     

     This Newsletter’s Reviews, Shaft (3 Stars), Chicken Run (3 Stars), Me, 
     Myself & Irene (5 Stars), Bossa Nova (3 Stars)

     Shaft, ***  (3 Stars)

     Directed by John Singleton, starring Samuel L. Jackson, Christian Bale, 
     Toni Collette, Vanessa Williams, Sonja Sohn, Lawrence Taylor, Richard 
     Roundtree, Jeffrey Wright, Busta Rhymes & Dan Hedaya 
     

     “Shaft” is a police officer that is too cool for rules and can out-slick 
     everyone with dialogue and action.  This film is based on the original 
     program years ago, which starred Richard Roundtree.  This time Mr. 
     Roundtree plays a consulting role for advice just so he can be in the 
     film. “Shaft” is like a math problem back in high school.  You know the 
     answer; you just have to figure out the process of discovering the final 
     result.  Christian Bale (American Psycho, Metroland & A Midsummer 
     Night’s Dream) is the primary bad guy who has money and connections so he can avoid any penalty for his actions.  He is accused of a racial 
     murder and he’s trying to find the one witness who saw the crime take 
     place, so he can take care of the problem. 

     Toni Collette (The Sixth Sense, Clockwatchers & Muriel’s Wedding) plays 
     the witness with the heavy New York accent.  You’ll find dishonest cops, 
     plenty of smart ass clichés, and a whole lot of false tough guy bravado. 
      The script itself is fairly boring and lacks intrigue.  Samuel L. 
     Jackson plays the title role and obviously makes the film entertaining.  
     Sam could read the menu at Burger King and make it exciting.  No one 
     cusses better than Sammy breaking out the MF word.   

     There’s a third party villain by the name of Peoples Hernandez (Jeffrey 
     Wright) who steals almost every scene.  He played this thug role so well 
     I forgot he was acting.  “Shaft” isn’t a thriller or mystery, just an 
     action film packed with egos and no regard for respect.  The very end 
     has a surprise treat that comes out of the blue for a good reason.  
     “Shaft” is better than “Mission Impossible 2” but not good enough to 
     make a sequel. If you head to the theatre, keep your eyes on Jeffrey 
     Wright and of course, Sammy!  

     -- Drew's Reviews   © 2000 FreelanceWorkshop.com         06/27/00
     

    “Chicken Run” *** ½  (3 ½ Stars)
     

     Directed by Nick Park & Peter Lord, featuring the voices of Mel Gibson, 
     Julia Sawalha, Timothy Spall, Jane Horrocks & Miranda Richardson
     

     Years ago there was a film called “Midnight Run” starring Robert DeNiro 
     and Charles Grodin that wasn’t bad at all.  Last year, an instant German 
     classic was created by the name of “Run Lola Run.”  Another quality 
     movie is now on the run called “Chicken Run.”  This run is one jailbreak 
     of a Claymation cartoon.   

     The plot is as simple as you can write.  Chickens are attempting to 
     escape in order to avoid being cooked in a pie for Mrs. Tweedy, the evil 
     owner.  Rocky the rooster, audio by Mel Gibson, is the American circus 
     castaway who ends up along side the chickens.  His heroism is pretty 
     standard but makes a super compliment to the remaining British cast.     
      

     I especially enjoyed the way the British made fun of themselves.  The 
     British creator gave the chickens’ bad teeth just like in the “Austin 
     Powers” films.  They had a funny permanent goofy smile along with 
     entertaining facial expressions.  Their look of panic is absolutely 
     priceless.  There’s no way you can watch this and not root for the 
     chickens.

     Jane Horrocks (Little Voice, Absolutely Fabulous) did the voice for 
     Babs, the overweight chicken that was constantly knitting.  Julia 
     Sawalha (also from Absolutely Fabulous) provided the voice of Ginger.  
     The two together combined for much of the films humor.  Children should 
     enjoy “Chicken Run” for its silliness and cartoon fun.  Many jokes will 
     fly right over your kids’ head.  

     Would this be as entertaining if it were an American cartoon?  Probably 
     not! There’s a special quality in this picture, which makes it unusual 
     and amusing.  And let’s face it, the British are just that.  You won’t 
     fall out of your seat laughing, but your cheeks should get a little 
     closer to your ear during a few choice moments.  Right after the movie 
     was over, I went out for chicken fingers! Shame on me! 
     

     -- Drew's Reviews   © 2000 FreelanceWorkshop.com         06/27/00

    “Me, Myself & Irene” ***** (5 Stars)
     

     This is quite frankly the funniest film in years.  When you see a 
     Farrelly Brothers movie, don’t expect awards come next March.  What you 
     can expect is to laugh hard enough so you’ll wipe your eyes often.  They 
     made me cry it was so darn funny.  They have an edge on me from the 
     start because I’m from where they’re from, New England.  Sometimes you 
     just know where folks are coming from.  

     “Me, Myself & Irene” is about a Rhode Island State police officer named 
     Charlie who has never released the energy and anger that’s been building 
     up inside of him for years.  This emotion that’s been bottled up becomes 
     a second personality named Hank.  Charlie is passive and reserved.  Hank orders up some conflict the moment he arrives.  These two characters are 
     more defined than the two characters Jim Carrey played in “Liar, Liar.”

     The humor is broken up into a few categories.  You’ll always find the 
     raunchy push the envelope hilarious sexual sight gags, along with sharp 
     biting one-liners, and Jim’s classic brand of physical humor.  It’s 
     apparent that the Farrelly Brothers do not need Jim and he doesn’t need 
     them either.  But when you put them together watch out!  If you’re 
     offended easily, please stay at home and don’t bother anyone else.  

     Charlie and Hank’s mission is to drive potential criminal Irene, played 
     by Renee Zellweger, back to New York from Rhode Island in order to clear 
     up an incident.  Their cat and mouse games including a minor love story 
     are very entertaining.  She’s got spunk some would say!  If you don’t 
     like Jim Carrey, it’s time to stop being stubborn.  He does a lot more 
     than just bend over and talk out his bottom.     
     

     -- Drew's Reviews   © 2000 FreelanceWorkshop.com         06/27/00
     

     “Bossa Nova” *** (3 Stars)

     Directed by Bruno Barreto, starring Antonio Fagundes, Amy Irving, Debora 
     Bloch, Stephen Tobolowsky & Drica Moraes

     “Bossa Nova” is a charming modern love story that really fits with 
     today’s culture.  This is one of those films where several events and 
     agendas overlap and then come together near the finale.  Amy Irving 
     plays Mary Ann, an American woman who’s teaching English to mostly 
     locals in Brazil.  Right off the bat you know you’re getting wonderful 
     cinematography with colors and landscapes.  

     One of Mary Ann’s clients is a famous Brazilian soccer player named 
     Acacio who’s trying to learn English trash talk so he can play in London 
     and earn some new fans.  Antonio Fagundes plays Pedro Paulo, a lawyer 
     with a smart new intern who’s trying to find his way into Mary Ann’s 
     heart even though he’s knows how to speak English already.  

     There are many directors who put their wives in their own films.  David 
     Mamet has created the starring role for his wife Rebecca Pigeon on a 
     couple of occasions.  Spielberg’s wife Kate Capshaw is another member of  the club to benefit.  And yes, director Bruno Barreto is married to Amy 
     Irving.  Her performance is adequate.  She’s not the type of actress 
     where you’ll wonder what she’s doing next, but she fills in just fine 
     with this role.

     Stephen Tobolowsky is another American who appears late in the film 
     because of his Internet romance with Mary Ann’s friend Nadine.  There 
     are some general pleasant heartfelt moments joined with some madcap 
     wacky situations.  The humor would be related to the “Three’s Company” 
     meets “Eight Is Enough” category of confusion.

     I even learned that in Colombia and Venezuela, they speak Spanish and 
     mambo for their choice of dance, and in Brazil, they speak Portuguese 
     and practice “Bossa Nova.”  This love story contains interesting 
     characters, a decent script, and a visual trip to Rio.  For a couple of 
     hours, it’s nice to get away from America.

     -- Drew's Reviews   © 2000 FreelanceWorkshop.com         06/27/00
     ***********************************************

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